But The Veilguard ignores all of that in favor of painting the Crows as purple spandex-wearing action heroes with hearts of gold. The only character who ever questions the Crows is, conveniently, an evil power-hungry traitor to the country. So Rook never gets put in a position to challenge or question Lucanis' loyalty to the family's goals.

The Veilguard is a game about choice and consequence. One of the decisions that has the most immediate impact happens at the beginning of the game’s final quest. The effect this decision has on the remainder of the game and,

The Mass Effect-themed armor celebrating N7 day 2024 should be readily available to most Dragon Age Veilguard players

Dragon Age: The Veilguard has three endings. Broadly and arguably too-simply, there’s a good ending, a neutral ending, and a bad ending. There’re a lot of choices that go into reaching these endings, but they all lead to one of these three:

In Dragon Age: The Veilguard, there comes a moment when the players confront the legendary goddess Mythal in the “Regrets of the Dead Wolf” quest.

The Veilguard’s ending is one of the best segments in the game if not the whole series. But its secret ending, one you unlock by doing specific side quests and finding certain artifacts throughout the world,

The Veilguard bucks a problematic trend by featuring a wide array of genuinely complex and terrifying female villains.

The Veilguard has plenty of quests to keep Rook busy but there is one side quest about Solas that absolutely shouldn't be skipped.

The Veilguard, sadly, is a game that eventually ends - like most games - so the developers added a bunch of extra content for those searching for more - also like most games, but you probably know that.

The Veilguard includes a range of returning characters who featured in previous stories, some with some unexpected consequences.