British constitutional experts have a lot to get their teeth into in 2020. The last three years have exposed several fault lines: over parliamentary procedure, the interaction of direct and ...
Soul? What Soul? An alluring book title, I’m sure. What about a book called ‘The Soul of England?’ The Chinese soul, ancient or modern, like other souls, longs for freedom and wealth, material and ...
I’m not sure what stands out for you when you think of the late 1990s – DeLillo’s Underworld? The dot-com bubble? Titanic? – but for me it’s two things: working (somewhat reluctantly) in New Age ...
Remember the emotional bit at the end of Peter Pan, when the dancing light of Fairy Tinkerbell is flickering and dying, and Peter asks the children in the audience to make her well by clapping their ...
Just towards the end of Penelope Fitzgerald's brilliant new novel, the reader is treated to a ghost-story, told in the manner of M R James. It is the harrowing tale of an 1870s archaeological dig in a ...
Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey Thomas W Hodgkinson - There Was No Sorcerer Thomas W Hodgkinson: There Was No ...
Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey Thomas W Hodgkinson - There Was No Sorcerer Thomas W Hodgkinson: There Was No ...
Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey Thomas W Hodgkinson - There Was No Sorcerer Thomas W Hodgkinson: There Was No ...
Very few of us are privileged to leave this plane of existence without unfinished business – the exceptions are either appallingly well organised, or else cannot have had any real business in the ...
Britpop has morphed into Litpop. Brett Anderson, of the electrifying neo-glam outfit Suede, and Luke Haines, of the archly provocative Auteurs, have each published two volumes of memoirs; Alex James ...
For the modernist designer Enid Marx, folk art, or what she called ‘popular art’, was ‘hard to define though easy enough to recognise when seen’. Marx and her partner, the historian Margaret Lambert, ...
There are three rules for avoiding a cinematic flop. Rule one: don’t pick a title that is boring, misleading or hard to pronounce. The title wasn’t the only thing that was bad about the misfiring ...